This week, I worked on producing a short weekly sports update using Adobe Audition, focusing on creating a clean, engaging audio package that covered several different sports stories in under two minutes. We were given full freedom to choose which fixtures or events to include.

Creating my own scripted round-up, which meant writing my own lines, choosing my own stories, recording my voiceover, and then building the full package from scratch. The intended audience was males aged 16–40, a group that regularly listens to fast news-style sports updates and prefers short, energetic summaries they can follow easily.

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Technical

All of the editing and recording was done in Adobe Audition, which allowed me to manage multiple audio layers without them clashing. I recorded my narration using an Audio-Technica microphone inside a sound-treated radio studio, which gave me clean audio without echo or background noise.

I adjusted levels so my voice sat clearly above the music bed, used fades to smooth transitions, and cleaned up pauses or breaths that interrupted the flow. I also checked the EQ of the interview clips to make sure they blended well with my own recording. Everything was exported and finalised on my MacBook Pro, which made the editing process smooth and fast.

Story

The main idea behind my audio was to deliver a clear, quick overview of the most important sporting events of the week. I focused on making each story short but still meaningful, giving the listener just enough information to stay updated without overwhelming them with detail.

I included brief audio clips from real post-fight interviews to support the stories. These small inserts helped to break up my narration and made the package feel more like a real broadcast. I also researched how radio sports journalists structure their updates, paying attention to how they switch between stories smoothly without spending too long on any single one.

Style

I aimed for a tight, broadcast-ready feel — something similar to the sports updates you hear during radio shows or short sports bulletins. I kept my sentences simple and direct, avoiding long explanations so the pacing stayed lively.

I also paid attention to my delivery, making sure my tone stayed consistent from story to story. I wanted the package to have a professional flow, but still sound natural and easy to follow. Rather than trying to sound overly dramatic or too formal, I aimed for a more relaxed, confident delivery that matched the rhythm of the music bed underneath.

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Here is an example of two scripts I wrote; I laid them out specifically for audio, meaning things are highlighted for emphasis. separated for breaths and written for speaking.

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What went well:

• The order of stories made sense and kept the update engaging from start to finish.
• My delivery sounded confident, and the pacing matched the upbeat tempo of the package.
• My layering of clips, VO, and bed produced a polished and balanced sound.

Even better if:

• Slowing down at key moments would improve clarity, especially when listing scores or names.
• Including more non-football sports could make future roundups appeal to a broader audience.
• Adjusting EQ further on interview clips could help them sit more naturally between my narration segments.